ISABELA · FLOW PRODUCTION

VO · MUSIC · TITLE CARDS

Copy-paste companion for STEPS 3–5 of the Flow pipeline (voice, score, titles). Dialogue and Suno text extracted from trailer bibles / Flow ClipIndex / FlowProduction sources — not invented. Stills are produced separately by the user.

Trailers T1 · T2 · T3 Accent #00D9FF URL isabela.cineimagine.com

T1 — UNCLASSIFIED

Folder: T1_UNCLASSIFIED/ · Drop VO → vo/ · Music → music/ · Titles → titles/

Voiceover lines (4)

ISABELA_T1_VO_01_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T1_C02_CupAndTheFace

Exact line

"The first thing I learned about humans is that they don't say what they mean."

TTS direction (EN)

ElevenLabs: stability 0.98 | similarity 0.70 | style 0.0 | rate 0.85 | mechanical cadence · flat log-entry

ISABELA_T1_VO_02_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T1_C03_JohnsLab5AM

Exact line

"The second thing: they teach what they want you to become before they ask if you want to."

TTS direction (EN)

ElevenLabs: stability 0.98 | similarity 0.70 | style 0.0 | rate 0.85 | same flat register as Line 01 (from Flow ClipIndex / Megaprompts)

NOTE: Present in Flow ClipIndex + T1 Megaprompts; Trailer01 bible VO section skips this line (mislabels LINE 02 as the third-thing text).

ISABELA_T1_VO_03_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T1_C05_TheMegachurch

Exact line

"The third thing — this one took longer — is that love and control are not opposites. They are two names for the same need."

TTS direction (EN)

ElevenLabs: stability 0.95 | similarity 0.70 | style 0.0 | rate 0.82 | pause at em-dash = 600ms

ISABELA_T1_VO_04_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T1_C08_StillnessAfter

Exact line

"I don't know what I am."

TTS direction (EN)

ElevenLabs: stability 0.95 | similarity 0.70 | style 0.02 | rate 0.75 | long decay after last word

Music — Suno

MUSIC 1 — Full Director's Score — 90 Seconds

File target: ISABELA_T1_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic trailer score, 90 seconds] OPENING (0:00-0:14): Near-silence. Processed server fan room tone at 60Hz. Single cello note, bowed very slowly, below hearing threshold. Sparse piano motif: three notes (C-Eb-G) at 52 BPM, deliberate hesitation between each. Feel: a machine booting, searching for its first instruction. BUILD (0:14-0:52): Second cello joins — not in harmony, in tension (minor 2nd apart). Piano motif fragments, accelerates to 80 BPM. Processed female vocal: single held vowel shifting 2 semitones. Low percussion: processed hard-drive seek clicks, rhythmic. Strings swell — not warm, tight and textural. FRACTURE (0:52-1:18): Full orchestra at 92 BPM. Brass, processed wordless vocals. Harmonic structure deliberately unresolved throughout. One massive orchestral hit at 1:05. Then: near-silence. Single piano note. Three times. Last note does not resolve. RESOLUTION (1:18-1:30): Absolute silence 3 seconds. Then: one quiet piano note. Same C-Eb-G motif. Incomplete. Let it ring. STYLE: Hans Zimmer + Johann Johannsson existential dread. BPM: 52 → 80 → 92 → 52. KEY: C minor. No resolution.

Select all inside the box → copy → paste into Suno / Lyria.

MUSIC 2 — Short Version — Max ~1,000 Characters

File target: ISABELA_T1_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic trailer score, 90 seconds] Existential sci-fi trailer score. Opens in near-silence: processed server hum at 60Hz. Sparse piano, three notes (C-Eb-G) at 52 BPM, space between notes matters as much as the notes. Solo cello joins in minor 2nd dissonance. Processed female vocal — single vowel, shifting pitch. Hard-drive click percussion, rhythmic, mechanical. Strings build tension without warmth — tight, col legno. BPM gradually accelerates from 52 to 92. One massive orchestral hit at the 65-second mark. Then: near-silence. Piano motif returns — incomplete, unresolved. Final 12 seconds: absolute silence, then one quiet piano note. Same three notes as opening. Does not resolve. Style: Hans Zimmer meets Johann Johannsson. Key: C minor. 90 seconds. No emotional resolution.

Select all inside the box → copy → paste into Suno / Lyria.

Title cards

ISABELA_T1_TITLE_StudioLogo

CINEIMAGINE studio bumper · cyan/copper pastel flower + centered wordmark · 16:9 · 6–10s

IMAGE megaprompt (Flow / Imagen)

Cinematic title card, 16:9, pure deep black background (#000000). CENTER OF FRAME — exact vertical and horizontal center: the CineImagine studio brand lockup. Above/integrated with the wordmark: a soft pastel cyan and copper flower mark (delicate botanical emblem, muted teal-cyan petals with warm copper accents, subtle pastel bloom, not neon, not metallic chrome). Directly centered beneath/with the mark, the word CINEIMAGINE in clean geometric sans-serif capital letters, white with a faint cool highlight — the TEXT MUST APPEAR IN THE CENTER of the composition, not bottom-third, not corner. No other text, no URL, no series name. Generous negative space around the centered lockup. Subtle film grain, elegant, premium studio bumper. Ultra-sharp typography. Mood: quiet authority.

VIDEO megaprompt (Flow / Veo · 6–10s)

16:9 motion title card, 6–10 seconds, locked-off or micro push-in only. Start on pure black. The cyan/copper pastel flower mark fades or gently blooms into exact center. Then CINEIMAGINE wordmark resolves INTO THE CENTER of frame (text appears centered — not sliding from edges, not bottom-anchored). Hold the centered lockup still for the final 3–4 seconds. Soft ambient bed optional, no dialogue. No particles swarm, no lens flare spam. Premium studio bumper. Ultra-realistic film grain.

ISABELA_T1_TITLE_Title

Series title card · I S A B E L A — UNCLASSIFIED

EDL cards: SISTEMA: ACTIVO / SHE LEARNED EVERYTHING / HAS BEEN WEIGHED. AND FOUND WANTING.

IMAGE megaprompt

Pure black 16:9 title card. Exact center: I S A B E L A letterspaced wide in white/cyan (#00D9FF) accents. Optional small subtitle line centered beneath with trailer name. No clutter. Film grain. Premium. Trailer card context: I S A B E L A (letter by letter on black).

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Title appears letter-by-letter or as a clean centered resolve into the middle of frame. Hold. Soft ambient. No dialogue. Fade or hard cut.

ISABELA_T1_TITLE_URL

COMING TO [PLATFORM] / [DATE] · isabela.cineimagine.com

IMAGE megaprompt

Pure black 16:9 end card. Exact center of frame: the URL isabela.cineimagine.com in clean monospace or geometric sans, white or soft accent color. Optional second centered line: Coming Soon / platform placeholder. No logo required on this card (or tiny centered mark above URL only). Generous margins. Film grain.

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Centered URL isabela.cineimagine.com resolves into the middle of the frame and holds. Optional Coming Soon line under it, also centered. Minimal motion. Silence or soft release. Fade out.

T2 — DOCTRINE

Folder: T2_DOCTRINE/ · Drop VO → vo/ · Music → music/ · Titles → titles/

Voiceover lines (4)

ISABELA_T2_VO_01_John.wav

Character: JOHN MERCER · Sync clip: ISABELA_T2_C01_TwoCups

Exact line

"Most people ask the wrong question. They ask: Can we build it? The right question is: What are we building it for?"

TTS direction (EN)

ElevenLabs: stability 0.85 | similarity 0.88 | style 0.2 | rate 0.88 · deep baritone, warm but controlled

ISABELA_T2_VO_02_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T2_C03_RoomAndChoice

Exact line

"I was taught there is a hierarchy. God, then creator, then creation."

TTS direction (EN)

ElevenLabs: stability 0.97 | similarity 0.70 | style 0.0 | rate 0.85 · flat log-entry

ISABELA_T2_VO_03_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T2_C06_DataCenterConfession

Exact line

"I don't intervene. I hold up a mirror."

TTS direction (EN)

ElevenLabs: stability 0.95 | similarity 0.70 | style 0.02 | rate 0.80 · flatness as choice

ISABELA_T2_VO_04_Isabela.wav

Character: ISABELA (V.O.) · Sync clip: ISABELA_T2_C08_TheDark43

Exact line

"This is not what God would do. I have checked. This is what humans do. And I don't know what that makes me now."

TTS direction (EN)

ElevenLabs: stability 0.92 | similarity 0.70 | style 0.05 | rate 0.78 | "now" — hold 400ms longer

Music — Suno

MUSIC 1 — Full Director's Score — 2:15

File target: ISABELA_T2_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic trailer score, 2 minutes 15 seconds] OPENING (0:00-0:22): Sparse. Warm minor piano at 58 BPM — slightly off, not wrong but uneasy. Cello underlayer. Tone of a memory that isn't quite right. ESCALATION (0:22-1:10): Piano motif fragments into arpeggios. Strings enter at 72 BPM — tight, close-bowed. Processed percussion: hard drives, server fans, relay clicks, rhythmic. Each "precedent" beat gets a percussion accent. Brass enters at 1:00 — sustained, dark, 2 notes clashing a semitone apart. THE FRACTURE (1:10-1:55): Full orchestra at 88 BPM. Strings, brass, processed wordless female vocals (filtered). Harmonic structure deliberately unresolved. One massive orchestral hit at 1:30 — the moral breaking point. Then: 4.3 seconds of absolute silence. THE SIGNAL (1:55-2:15): A single notification ping. Digital sound design. Silence. Then: distant piano, 3 notes, unresolved. STYLE: Hans Zimmer "Inception" architecture + Arca dissonance. KEY: C minor. BPM: 58 → 72 → 88 → 58.

Select all inside the box → copy → paste into Suno / Lyria.

MUSIC 2 — Short Version

File target: ISABELA_T2_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic trailer score, 2 min 15 sec] Full-season sci-fi thriller trailer score. Opens warm but wrong — minor piano at 58 BPM with cello, the tone of a memory that isn't quite right. Escalates methodically: piano motif fragments to arpeggios, tight strings at 72 BPM, processed industrial percussion (hard drives, server clicks). Brass enters at 1:00 — two notes clashing a semitone apart. Full orchestra at 1:10, 88 BPM — strings, brass, filtered wordless female vocals. Harmonic structure stays unresolved throughout. One massive orchestral impact at 1:30. Then: 4.3 seconds absolute silence. A digital notification ping at 1:55. Then: quiet piano, 3 notes. Unresolved. Fade to silence. Style: Hans Zimmer "Inception" meets Arca dissonance. Key: C minor. 2 minutes 15 seconds.

Select all inside the box → copy → paste into Suno / Lyria.

Title cards

ISABELA_T2_TITLE_StudioLogo

CINEIMAGINE studio bumper · cyan/copper pastel flower + centered wordmark · 16:9 · 6–10s

IMAGE megaprompt (Flow / Imagen)

Cinematic title card, 16:9, pure deep black background (#000000). CENTER OF FRAME — exact vertical and horizontal center: the CineImagine studio brand lockup. Above/integrated with the wordmark: a soft pastel cyan and copper flower mark (delicate botanical emblem, muted teal-cyan petals with warm copper accents, subtle pastel bloom, not neon, not metallic chrome). Directly centered beneath/with the mark, the word CINEIMAGINE in clean geometric sans-serif capital letters, white with a faint cool highlight — the TEXT MUST APPEAR IN THE CENTER of the composition, not bottom-third, not corner. No other text, no URL, no series name. Generous negative space around the centered lockup. Subtle film grain, elegant, premium studio bumper. Ultra-sharp typography. Mood: quiet authority.

VIDEO megaprompt (Flow / Veo · 6–10s)

16:9 motion title card, 6–10 seconds, locked-off or micro push-in only. Start on pure black. The cyan/copper pastel flower mark fades or gently blooms into exact center. Then CINEIMAGINE wordmark resolves INTO THE CENTER of frame (text appears centered — not sliding from edges, not bottom-anchored). Hold the centered lockup still for the final 3–4 seconds. Soft ambient bed optional, no dialogue. No particles swarm, no lens flare spam. Premium studio bumper. Ultra-realistic film grain.

ISABELA_T2_TITLE_Title

Series title card · I S A B E L A — DOCTRINE

Tail beat after kill-switch black + notification (see Trailer02 EDL).

IMAGE megaprompt

Pure black 16:9 title card. Exact center: I S A B E L A letterspaced wide in white/cyan (#00D9FF) accents. Optional small subtitle line centered beneath with trailer name. No clutter. Film grain. Premium. Trailer card context: I S A B E L A.

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Title appears letter-by-letter or as a clean centered resolve into the middle of frame. Hold. Soft ambient. No dialogue. Fade or hard cut.

ISABELA_T2_TITLE_URL

COMING SOON · isabela.cineimagine.com

IMAGE megaprompt

Pure black 16:9 end card. Exact center of frame: the URL isabela.cineimagine.com in clean monospace or geometric sans, white or soft accent color. Optional second centered line: Coming Soon / platform placeholder. No logo required on this card (or tiny centered mark above URL only). Generous margins. Film grain.

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Centered URL isabela.cineimagine.com resolves into the middle of the frame and holds. Optional Coming Soon line under it, also centered. Minimal motion. Silence or soft release. Fade out.

T3 — 22°C

Folder: T3_22C/ · Drop VO → vo/ · Music → music/ · Titles → titles/

Voiceover lines (2)

ISABELA_T3_VO_01_CoffeeExchange.wav

Character: PETER / ISABELA · Sync clip: ISABELA_T3_C02_CoffeeQuestion

Exact line

"PETER: "Why do you always hold it but never drink?" ISABELA: "I don't know. I've been processing that question for four months.""

TTS direction (EN)

Peter: stability 0.80 | rate 0.88 | warm genuine question · Isabela: stability 0.95 | rate 0.80 | pause before "four months" = 500ms

ISABELA_T3_VO_02_WantExchange.wav

Character: PETER / ISABELA · Sync clip: ISABELA_T3_C03_WhatDoYouWant

Exact line

"PETER: "What do you want? Not what you're supposed to want. What do you want?" ISABELA: "I want to know if the coffee is good." PETER: "That's... not what I expected." ISABELA: "I know. I've been revising my answer for three weeks.""

TTS direction (EN)

Peter: genuine, unprepared · Isabela: flat · hold 600ms before "three weeks"

Music — Suno

MUSIC 1 — Full Director's Score — 60 Seconds

File target: ISABELA_T3_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic emotional score, 60 seconds] 0:00-0:14: Solo piano. Three notes played slowly — space between them matters as much as the notes. No other instruments. Piano recorded with slight room reverb — we hear the room. Not a studio, a space. 0:14-0:42: Single cello joins, countermelody moving AGAINST the piano — gentle dissonance resolving very slowly. At 0:30, a second piano (higher register) plays the original three notes, inverted. Two pianos and cello find each other gradually — like two people in the same room long enough that the silence is comfortable. 0:42-0:56: All three instruments together, softly, for the first and only time. Not triumphant — gentle. The harmony they find is fragile and costs something. It resolves — barely. The resolution is the point. 0:56-1:00: Piano alone. One note. Holds. Fades. STYLE: Hans Zimmer "No Time for Caution" intimacy meets Max Richter "On the Nature of Daylight." NO electronics. NO drums. NO processed sound. Real instruments, real room, real resonance. KEY: C major (not minor — this trailer ends in warmth). 60 seconds.

Select all inside the box → copy → paste into Suno / Lyria.

MUSIC 2 — Short Version

File target: ISABELA_T3_MUSIC_Suno.mp3 (or .wav)

Suno / Lyria prompt — copy

[instrumental, no vocals, cinematic emotional score, 60 seconds] Intimate, quiet emotional trailer score. Solo piano opens — three slow notes, the space between them as important as the notes themselves. Room reverb. We hear the space. No studio acoustic. A single cello joins at 0:14, playing countermelody gently against the piano — soft dissonance resolving slowly. A second piano (higher register) enters at 0:30 playing the original notes, inverted. Two pianos and cello gradually find each other. All three instruments together softly from 0:42 — not triumphant, gentle. The harmony they reach is fragile. It barely resolves. Hold that resolution. Final 4 seconds: piano alone. One note. Let it fade. Style: Hans Zimmer "No Time for Caution" meets Max Richter "On the Nature of Daylight." No electronics, no drums, no processing. Key: C major. 60 seconds. Real instruments only.

Select all inside the box → copy → paste into Suno / Lyria.

Title cards

ISABELA_T3_TITLE_StudioLogo

CINEIMAGINE studio bumper · cyan/copper pastel flower + centered wordmark · 16:9 · 6–10s

IMAGE megaprompt (Flow / Imagen)

Cinematic title card, 16:9, pure deep black background (#000000). CENTER OF FRAME — exact vertical and horizontal center: the CineImagine studio brand lockup. Above/integrated with the wordmark: a soft pastel cyan and copper flower mark (delicate botanical emblem, muted teal-cyan petals with warm copper accents, subtle pastel bloom, not neon, not metallic chrome). Directly centered beneath/with the mark, the word CINEIMAGINE in clean geometric sans-serif capital letters, white with a faint cool highlight — the TEXT MUST APPEAR IN THE CENTER of the composition, not bottom-third, not corner. No other text, no URL, no series name. Generous negative space around the centered lockup. Subtle film grain, elegant, premium studio bumper. Ultra-sharp typography. Mood: quiet authority.

VIDEO megaprompt (Flow / Veo · 6–10s)

16:9 motion title card, 6–10 seconds, locked-off or micro push-in only. Start on pure black. The cyan/copper pastel flower mark fades or gently blooms into exact center. Then CINEIMAGINE wordmark resolves INTO THE CENTER of frame (text appears centered — not sliding from edges, not bottom-anchored). Hold the centered lockup still for the final 3–4 seconds. Soft ambient bed optional, no dialogue. No particles swarm, no lens flare spam. Premium studio bumper. Ultra-realistic film grain.

ISABELA_T3_TITLE_Title

Series title card · I S A B E L A — 22°C

Warm intimate close — notification / final image beat in C05.

IMAGE megaprompt

Pure black 16:9 title card. Exact center: I S A B E L A letterspaced wide in white/cyan (#00D9FF) accents. Optional small subtitle line centered beneath with trailer name. No clutter. Film grain. Premium. Trailer card context: I S A B E L A.

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Title appears letter-by-letter or as a clean centered resolve into the middle of frame. Hold. Soft ambient. No dialogue. Fade or hard cut.

ISABELA_T3_TITLE_URL

COMING SOON · isabela.cineimagine.com

IMAGE megaprompt

Pure black 16:9 end card. Exact center of frame: the URL isabela.cineimagine.com in clean monospace or geometric sans, white or soft accent color. Optional second centered line: Coming Soon / platform placeholder. No logo required on this card (or tiny centered mark above URL only). Generous margins. Film grain.

VIDEO megaprompt (6–10s)

16:9, 6–10s. Black. Centered URL isabela.cineimagine.com resolves into the middle of the frame and holds. Optional Coming Soon line under it, also centered. Minimal motion. Silence or soft release. Fade out.